Private Paintng Lessons with Jeromy Young & Jessica Moore
SKU:
$520.00
$520.00
per item
Eight hours of private painting lessons.
Artists & Instructors:Â Jeromy Young & Jessica E. Moore
Class time:Â Please email us at jessica@achillesprintstudio.com or call us 337-534-8491 to schedule available time(s).
​
Recommended hours to meet at a time:
New Location:Â Achilles Print Studio located at 912 Coolidge Blvd., Lafayette, Louisiana, 70503
Contact information:​
phone: 337-534-8491 or email: achillesprintstudio@gmail.com
​
- Adults, Teens, & Youths
- All skill levels are welcome
Artists & Instructors:Â Jeromy Young & Jessica E. Moore
Class time:Â Please email us at jessica@achillesprintstudio.com or call us 337-534-8491 to schedule available time(s).
​
Recommended hours to meet at a time:
- Acrylic or oil painting for two hours at a time
- Watercolor painting for one to two hours at a time
- for a total of eight hours of private painting lessons.
New Location:Â Achilles Print Studio located at 912 Coolidge Blvd., Lafayette, Louisiana, 70503
Contact information:​
phone: 337-534-8491 or email: achillesprintstudio@gmail.com
​
- Please see below for class description, artist biography/statement.
- Also, please see examples of instructor's workÂ
2 available
Private Painting Lessons with
Jeromy Young & Jessica Moore
Description
Instructor works with individual's skill set and desired goals in the class, such as technique, subject matter, painting medium, and/or personal project.
Please let us know your preferred painting medium, such as acrylic, watercolor or oil painting.
Instructor will email the supply list.
Please let us know your preferred painting medium, such as acrylic, watercolor or oil painting.
Instructor will email the supply list.
Instructor, Jeromy Young
|
|
Biogaphy
Jeromy Young studied Visual Arts concentrating in Painting at the University of Louisiana at Lafayette. He is currently the Associate Director and Instructor of Painting at the fine art school, Achilles Print Studio and is the owner of The Frame Shop Gallery 912 in Lafayette, LA. He has been producing commissioned and original paintings for over 20 years. In his research and studio practice Jeromy focuses on the Classical techniques in oil painting and he continuously studies the works of various masters, particularly from the Baroque era, and most notably Rembrandt. Jeromy has exhibited in several national group shows and international traveling exhibitions and has donated his artwork to charity auctions. His work has been invited to auction at the New Orleans Auction Galleries and is in private collections throughout Louisiana and the United States. Recently, he was invited to exhibit his work at the Louisiana Art and Science Museum, the Alexandria Museum of Art, A. Hays Town Building at the Paul and Lulu Hilliard University Art Museum, and the Acadiana Center for the Arts. Jeromy was also invited to be a visiting artist at the Baton Rouge Community College and has been featured on LPB’s Art Rocks as one of Acadiana’s premier artists.
Artist Statement
I have always been an admirer of the Old Masters, and a student of classical technique. Salvador Dali said to, “Begin by learning to draw and paint like the old masters. After that, you can do as you like; everyone will respect you.” But the Old Masters are the apotheosis of painting, so it has not been an easy task to learn to paint like them. They learned painting technique firsthand from their own masters, and classical technique comes in many variations. I set out to figure it out mostly on my own, because times have changed.
On this path, I worried that it was not quite good enough, and that before I could find my voice and really “speak,” I was supposed to reach some particular (mysterious) level of mastery. Therefore, every painting that I have done over the past 20 years has in many ways been a study to me, mostly a way to get better.
I am a late bloomer and a throwback sometimes feeling as if I live outside of my own time. Over the years I kept some ideas hidden away in the most remote places in my mind. I am like a magma chamber that is finally going to erupt.
My more recent work has an energy that is like a precursor, like tremors or foreshocks. There is a narrative behind each and every painting. Yet, Subjective Madness is the beginning of me giving myself permission to really “speak”, it is a vent. I realize and accept that I am an artist with many conflicting voices, all at odds. This is a new direction that I will take, I want my paintings to be more symbolic and metaphysical. I have endless ideas that have to come out or I might explode, so many things to try and explore.
On this path, I worried that it was not quite good enough, and that before I could find my voice and really “speak,” I was supposed to reach some particular (mysterious) level of mastery. Therefore, every painting that I have done over the past 20 years has in many ways been a study to me, mostly a way to get better.
I am a late bloomer and a throwback sometimes feeling as if I live outside of my own time. Over the years I kept some ideas hidden away in the most remote places in my mind. I am like a magma chamber that is finally going to erupt.
My more recent work has an energy that is like a precursor, like tremors or foreshocks. There is a narrative behind each and every painting. Yet, Subjective Madness is the beginning of me giving myself permission to really “speak”, it is a vent. I realize and accept that I am an artist with many conflicting voices, all at odds. This is a new direction that I will take, I want my paintings to be more symbolic and metaphysical. I have endless ideas that have to come out or I might explode, so many things to try and explore.
Instructor, Jessica E. Moore
"Horse & Sharks, State I" Reductive Woodcut by Jessica E. Moore
|
|
Biography
Jessica E. Moore received her BFA in Studio Art: Printmaking at the University of Louisiana at Lafayette in 2011. In 2015 Jessica received her MFA in Studio Art: Printmaking, with a Secondary Emphasis in Drawing, at Texas Tech University. At Texas Tech, she worked as a graduate part-time Instructor and taught Figure Drawing and Printmaking classes. Jessica has exhibited in numerous national and international group shows and has donated her artwork to charity auctions. She has had several solo exhibitions as well as participated in over 50 invitational and juried exhibitions across the United States. Jessica visited Thailand, where she was invited to teach relief printmaking at Maharaja Nakorn Chiang Mai Hospital. She was also invited to teach printmaking classes at the Charles Adams Studio Project in Lubbock, TX. Jessica is currently the curator at the Frame Shop Gallery 912 and is the owner and director of the fine art school, Achilles Print Studio in Lafayette, LA. Her work has appeared in a number of books, journals, and articles. Recently, Jessica was invited to exhibit her work at the Cornell Art Museum, Alexandria Museum of Art, Acadiana Center for the Arts, and she won first place in Art Melt, the largest multimedia juried art exhibit in Louisiana.
"Her Long Red Cape, State II" Chine-collé Reductive Woodcut by Jessica E. Moore
It is rewarding to help and engage students to become more active in the creative process. I want to inspire creativity in the environment, and seeing student’s inspiration and enthusiasm is very inspiring and rewarding to me as well. I intend to create an environment that encourages students to gain the needed skills to become independent, to think critically, and to find resolution in the work. I want the students to feel comfortable and confident in my classroom. - Jessica E. Moore
Artist Statement
This body of work represents a combination of my personal memories and explorations of relationships between humans and animals using a variety of mediums, including printmaking, drawing, and installation. I have lived in or visited Florida, Louisiana, Texas, and Thailand. I explore these environments and others, both geographically and psychologically, using nostalgic imagery. I also use reoccurring motifs of animals as a metaphor, as a reference to the essence of the spirit of animals, encapsulating their human qualities.
Another aspect of my work is the idea of how one rebuilds after turbulent times. Whether people are rebuilding a city after a destructive event or rebuilding themselves after a battle with cancer, there are commonalities. In most cases, weaknesses and fragility are overcome by emerging strengths. This idea that we adapt and reconstruct leads to a question: How do we go about finding our inner strength following personal or natural tragedies? This is the question I seek answers for, and while I am not sure of all of the ways we achieve this, I do know that we are simultaneously fragile and strong. This is a fundamental quality of humans, the tenacity that defies our fragility.
This concept of the resilience of the human spirit forms the basis of my work. My investigations of animals helps me understand the combination of fragility and emerging strengths.
Another aspect of my work is the idea of how one rebuilds after turbulent times. Whether people are rebuilding a city after a destructive event or rebuilding themselves after a battle with cancer, there are commonalities. In most cases, weaknesses and fragility are overcome by emerging strengths. This idea that we adapt and reconstruct leads to a question: How do we go about finding our inner strength following personal or natural tragedies? This is the question I seek answers for, and while I am not sure of all of the ways we achieve this, I do know that we are simultaneously fragile and strong. This is a fundamental quality of humans, the tenacity that defies our fragility.
This concept of the resilience of the human spirit forms the basis of my work. My investigations of animals helps me understand the combination of fragility and emerging strengths.
